"the creatures that inhabit my head are not the stuff of light fantasy"

A complex western-themed landscape

One to be enjoyed— we just can’t explain this landscape featuring saguaro cacti, cowboys playing baseball, a shootout, two herds of sheep (with one camel), and green demons in a band.

Tigers for Rent

Tigers for Rent: The cognoscenti enjoy an outing on rollerskates, propelled by cooperative tigers.

Looks like great fun! This is a particularly creative example of sports engaged in by Floyd’s elaborately clothed Asian ladies. Although only one participant and one tiger are shown, a second pair is evident, judging from the tow ropes.

New Model

One workman carries a bedraggled woman down a flight of stairs while a second workman carries a fresh model up, set against a city skyline.

New Model (The Manifestation of Flop)

Floyd’s drawings were rarely explained, so we’ve no idea what connection this image has to the story of Flop, one of Floyd’s recurring characters. A simpler version of this concept is in his book; it may represent an earlier approach to the subject.

Worms in Winter

A short poem by Floyd, Worms in Winter has a nice rhythm to it.

Worms in winter,
lulled and yuleless.
Worms and wormlings
sleep in clay.

Sing no carols,
Own no opals
Hapless, glutless,
happy they.

In 1977, Floyd was discovered and “enjoyed” a burst of fame. Samples of Floyd’s poems, short pieces, and “bizarre” drawings were published by the University of Colorado, Boulder, as a special edition of Colorado Quarterly (Volume XXVI, No. 1). The Images of Floyd Rudolf Peterson, a slim 124-page volume, was the First Annual $1000 Colorado Quarterly Award. This ad is from 1977.

More about Floyd’s book and his “half-cocked vision of the world” at this link. Copies occasionally turn up online or in used book shops.

The opposite of apposite is irrelevant

In a long career of editing, I’ve come to realize the issues many people— even writers who should know better— have with phrases in apposition, which tend to be irrelevant to the meaning of a sentence. But “apposite” means the opposite, and Floyd is correct here. I just like the leopards and daisies. Or are they jaguars? Floyd would know.

Good Do-Gooders

Good Do-Gooders Do Gooder Than No Good Do-Gooders Do

There are two iterations of this intriguing drawing. In this one, a hovering “do-gooder” offers fish bones to two men scavenging for scraps. A second version shows less detail in the scrap-pile and only one man.

Another category of Floyd’s drawings perhaps best fits the label “western,” involving cowboys, horses, mountains—or all of the above. This one of a mountain man working over a campfire includes a separate drawing of an elk in the margin.

I wanted to say something about this one, but words failed me. Even an inventory of the elements couldn’t do it justice: Playing cards, piano and keyboard, guitar, fish, and the sly-faced hearts (maybe valentines?) with an ocean in the background. And the nether half of a naked jogger superimposed on the whole thing. What the dickens, as Floyd might say, is that in the lower left corner?

Working Musicians

Two "workmen" musicians, one with mandolin and one with violin/fiddle, perch on a tree limb high above a cityscape with mountains in the background. A steeple in the foreground bears a French tricolor flag. A third instrument, a cello or bass, leans against the trunk of the tree. The scene is framed by foliage (in black), and a bird's nest is snugged in a fork of one branch. The workmen are wearing white coveralls, yellow shirts, and blue hats and have pipes in their mouths.
Two yellow-shirted musicians playing instruments in a tree,
high above a cityscape.

Floyd’s workmen, which he dubbed “myfots,” are characters that appear in several drawings. In this untitled drawing, two of them appear to be taking a break to enjoy a small jam session high above the city.